Monday, December 31, 2007

Come And Get Me Copper!!!


From The Washington Post:


Despite more than 20,000 lawsuits filed against music fans in the years since they started finding free tunes online rather than buying CDs from record companies, the recording industry has utterly failed to halt the decline of the record album or the rise of digital music sharing.
Still, hardly a month goes by without a news release from the industry's lobby, the Recording Industry Association of America, touting a new wave of letters to college students and others demanding a settlement payment and threatening a legal battle.
Now, in an unusual case in which an Arizona recipient of an RIAA letter has fought back in court rather than write a check to avoid hefty legal fees, the industry is taking its argument against music sharing one step further: In legal documents in its federal case against Jeffrey Howell, a Scottsdale, Ariz., man who kept a collection of about 2,000 music recordings on his personal computer, the industry maintains that it is illegal for someone who has legally purchased a CD to transfer that music into his computer.
The industry's lawyer in the case, Ira Schwartz, argues in a brief filed earlier this month that the MP3 files Howell made on his computer from legally bought CDs are "unauthorized copies" of copyrighted recordings.
"I couldn't believe it when I read that," says Ray Beckerman, a New York lawyer who represents six clients who have been sued by the RIAA. "The basic principle in the law is that you have to distribute actual physical copies to be guilty of violating copyright. But recently, the industry has been going around saying that even a personal copy on your computer is a violation."
RIAA's hard-line position seems clear. Its Web site says: "If you make unauthorized copies of copyrighted music recordings, you're stealing. You're breaking the law and you could be held legally liable for thousands of dollars in damages."
They're not kidding. In October, after a trial in Minnesota -- the first time the industry has made its case before a federal jury -- Jammie Thomas was ordered to pay $220,000 to the big record companies. That's $9,250 for each of 24 songs she was accused of sharing online.
Whether customers may copy their CDs onto their computers -- an act at the very heart of the digital revolution -- has a murky legal foundation, the RIAA argues. The industry's own Web site says that making a personal copy of a CD that you bought legitimately may not be a legal right, but it "won't usually raise concerns," as long as you don't give away the music or lend it to anyone.
Of course, that's exactly what millions of people do every day. In a Los Angeles Times poll, 69 percent of teenagers surveyed said they thought it was legal to copy a CD they own and give it to a friend. The RIAA cites a study that found that more than half of current college students download music and movies illegally.
The Howell case was not the first time the industry has argued that making a personal copy from a legally purchased CD is illegal. At the Thomas trial in Minnesota, Sony BMG's chief of litigation, Jennifer Pariser, testified that "when an individual makes a copy of a song for himself, I suppose we can say he stole a song." Copying a song you bought is "a nice way of saying 'steals just one copy,' " she said.
But lawyers for consumers point to a series of court rulings over the last few decades that found no violation of copyright law in the use of VCRs and other devices to time-shift TV programs; that is, to make personal copies for the purpose of making portable a legally obtained recording.
As technologies evolve, old media companies tend not to be the source of the innovation that allows them to survive. Even so, new technologies don't usually kill off old media: That's the good news for the recording industry, as for the TV, movie, newspaper and magazine businesses. But for those old media to survive, they must adapt, finding new business models and new, compelling content to offer.
The RIAA's legal crusade against its customers is a classic example of an old media company clinging to a business model that has collapsed. Four years of a failed strategy has only "created a whole market of people who specifically look to buy independent goods so as not to deal with the big record companies," Beckerman says. "Every problem they're trying to solve is worse now than when they started."
The industry "will continue to bring lawsuits" against those who "ignore years of warnings," RIAA spokesman Jonathan Lamy said in a statement. "It's not our first choice, but it's a necessary part of the equation. There are consequences for breaking the law." And, perhaps, for firing up your computer.


So, the deal is: if I a song that I bought on my iTunes and not share it with anyone, that's a violation of the law? So, if I go buy the new "Eagles" CD, take it home (having paid for it), download it to my Itunes, don't share it with anyone, download it to my Ipod to go walking, running, sauna, etc, I am in violation of the law? Are you kidding me? Then, if that is the case, come and get me coppers!

1 comment:

William Fink said...

Randy,

I believe the recording industry, as we know it, is dieing. It is dieing because they refuse to change with the times. Like the old horse and buggy whip makers, they are in a line of business which is fading away. I also feel the recording artists are also clinging on to an old and outdated model and must either move-on, or move over.

Why is the RIAA so hot about this? They are hot because they know the end is near. There no longer a need for the recording industry anymore because of low-cost technology and the Internet. Just about any artist can produce high-quality content. With digital players, there is no need to mass-produce CDs or cassettes. Web sites, like MySpace and YouTube, reduce the need for distribution.

Artists need to realize they will have to work for their money and earn a living off of concerts and selling their brand-name (t-shirts, commercials, sound tracks, video games).

Now, how many whip makers are there today? In ten years, the recording industry will be the same way. Those who roll with the changes will be successful and make money; those who resist will eventually perish.

For the consumer, this will user in a new era of quality because people will be buying songs they like; not whole albums having one good song and nine crappy tracks of filler.

As a technologist, I have been laughing at the RIAA for years now because they refuse to see the writing on the wall. When I download my first MP3 song in the late-80s, I new the game was changing – and it amazes me to see it has taken this long.

What do you think?

--Bill

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