or with the words, "shh we're hunting cwazy wabbits"
The cage cleaning is a pain but I kinda like the guy. Call me sentimental..
wait...is there a look of...evil?
wait...is there a look of...evil?

This show is like crack cocaine. I have never done crack cocaine but if I ever did, this show would be like it. I watch the show for the same reason I watch "Cops" sometimes. No matter how bad my life gets, it'll never be this bad. I can certainly relate to the premise. Before Monday Night Football, this is a weird warm up. It sometimes hits close to home.
While the successes have been very nice, the past two weeks in Mizzouland have reminded me of well, the past. After the beatdown in Austin yesterday, that could have been ten years ago in Lincoln, or Norman, or wherever. They didn't look like the team that went 5-0. Of course, after the 5-0 start, their level of competition has increased exponentially. The "Chase" has been called off for the Heisman and he'll be lucky to get drafted. The defense has been exposed and now it's time to get ready for the Big 12 chamionship (if they can beat Kansas) and then get smacked around again by Texas.
"Life On Mars" David Bowie with Mick Ronson
So far, I like what I see on the TV Show. The premise is a guy gets into a car accident and is transported back in time to 1973. I have always had an infatuation to get tossed backward into time and end up somewhere previously in my life. Knowing what I know now and being able to use that back then would be my version of heaven. Maybe I will in the next life, in another dimesion. How cool would that be? And hile I am screwing around on a Sunday, Here's what would be on the radio on this day in 1973.
"Photograph"-Ringo Starr, "Keep On Truckin"-Eddie Kendricks, "Top of the World"-The Carpenters, "Space Race"-Billy Preston, "Midnight Train to Georgia"-Gladys Knight, "Just You and Me"-Chicago, "I Got a Name"-Jim Croce, "The Joker"-Steve Miller, "Smokin in the Boys Room"-Brownsville Station "Show and Tell"-Al Wilson.
By what was on the radio at that time, Brenda and I were getting really serious. We were in what we thought was love. I had my GTO and was switching jobs, from pumping gas at the Owens station on 19th avenue to working the overnight shift at Miller Container Corp in Milan. I ran a corrugated press and printer overnight while the owner's son was my boss. He wanted to impress dad with his (our) performance and ran me pretty hard. We constantly broke the record for machine safety (those boxes cut the hell out my hands) and machine speed. We'd run more boxes through there in eight hours than first shift would do in nine. It was a difficult job to have while attending high school. It was also a long way from my house and I was putting a lot of miles on that GTO. I was beginning to feel very strange about where my life was heading, I really didn't have much direction and followed along with events without having much to grab onto. It was a very strange time.
It was a great pleasure to come from a family that loved music. My mother would teach me about the great country artists of her time: Hank Williams, Homer and Jethro, Patsy Cline, Cowboy Copas, Little Jimmy Dickens, Lefty Frizzell and so forth. My older brother would vicariously pull me along in his musical education. When the Four Tops first hit the radio in 1964, I was eight. My brother, on the other hand was 16. See how that worked? I got my musical education at a very early age. That musical education featured the sweet sounds of Motown drifting from the transistor radio that belonged to my brother. The very first time I heard "Baby, I Need Your Lovin", I felt the pain and emotion drenched feeling behind that song, even though I was much too young to know what love was. The Four Tops only had two number one songs, "I Can't Help Myself" and "Reach Out", but it was that heart wrenching baritone of Levi Stubbs that made the Four Tops kings of Motown in my book. If you'll go back and check it out, very few groups were fronted by a baritone, there were mostly tenors fronting the big groups. That's what stood out for me, that ballsy, gruff, deep emotional sound coming from Levi Stubbs, those wonderful harmonies and the perfect instrumental accompaniment from The Funk Brothers. The songs were written in a tenor's range to give them a sense of urgency and it certainly worked for me. There were some low points in their career, but to have hits in the mid 60, then in the early 70's, that proved the staying power of the band. With the passing of Levi Stubbles (Stubbs)earlier in the week, there's only one original member left, just like there's only one original Temptation, too. Through the magic of music, the voices never grow old or out of tune. These guys who are passing will always remain 23, 25 or, in Stevie Wonder's case, a mere boy. In the case of my brother, he'll never be older than 45.

Yeah, yeah, I know...light weight pretty boys...surf dudes from California. I got it. But, from about 1977 to 1979, they were on my turntable and cassette player a lot. My first exposure to them was when I was putting together an "underground" radio show from the radio school I attended. We broadcast the audio on the local access channel (ala Wayne's World), we were very top 40 during the week except for a short time where we would feature "album rock". We had a trade deal where Co-op Tapes and Records would sponsor the show and in lieu of money, we'd go through the shop and pick out LPs to play. "Lifeline" was one of those. "Crystal" and "Zero to Sixty in Five" were the big songs from his one. Then, stardom happened...
"Whatcha Gonna Do?" hit the top 40 airwaves. Great tune, nice hook. Being a semi fan, I kind of got interested in their career and took interest in this release. It remains to this day, one of my favorite releases. The album and the title track happened right around the time of my divorce and I needed some positive reinforcement. It didn't have the chops of a lot of other bands, but the songs were catchy, the licks were played well and with enthusiasm. Then after seeing them open for The Eagles at Comiskey Park in Chicago, I was convinced that these guys had the goods. Which lead to... 
..and huge stardom, right when I hit KC. Although KY didn't play anything from this release, I thought their great pop songs were all the rage. One of the very first women I met in KC loved these guys and that was my "in". Good solid tunes again and then... that was it. They were done. I didn't care for "Cool Love" or whatever it was . I lost interest and I think they did, too.
So...my favorite PC tunes include these gems...
1. "A Place In The Sun"...certainly needed this one. One of my favorites of all time.
2. "Can't You Hear The Music?"...like before, how true.
3. "Whatcha Gonna Do?"..when she says goodbye, just about the time I said goodbye
4. "El Verano"...one of the nastiest killer guitar works ever, great instrumental
5. "Worlds Away"..rock em sock em great song
6. "Don't Want To Live Without It"...perfect top 40 disco(gasp) song
7. "Crystal"...early genius hidden here (had a crush on a girl named Crystal)
8. "Ocean Breeze"...12 minutes of a nice workout jam
9. "Family Man"... for some, very trite lyrics, for me, a lesson
10. "Love Will Find A Way"...killer top 40 song
Yeah, most of this stuff is from two LPs, I find their other stuff very intriguing, too. May be worth a trip to amazon.com to get caught up. From the website...
Thirty years ago, in 1975, Pablo Cruise released its first A&M album simply entitled Pablo Cruise. The album cover was shot in the tropical gardens of San Francisco's Golden Gate Park and it featured a huge gorilla standing front and center. The band, David Jenkins (guitars & vocals), Cory Lerios (keyboards & vocals), Steve Price (drums) & Bud Cockrell (bass & vocals) was nowhere in sight. At that point there was a bit of a mystique as to who Pablo Cruise really was. When asked, "who's Pablo," the band, which is a quartet, would answer, "he's the guy in the middle." When asked what Pablo Cruise meant, the well-rehearsed answer went something like this,"Pablo,represents an honest, real, down to earth individual; and Cruise, depicts his fun loving, easy going attitude towards life." In essence that's what Pablo Cruise's music is all about. Honest, real, down to earth vocals, accompanied by fun yet elegant, infectious grooves. To hear Pablo Cruise on record is one thing, but to experience the band live is an exhilarating event.
From 1975 to 1985 the band toured the United States, Canada and Japan extensively, welcoming fans to "Climb Aboard The Good Ship Pablo Cruise." Reaching the top 10 with mega hits like "Watch Gonna Do When She Says Goodbye" and "Love Will Find A Way," and several other radio hits, the band went on to sell several million albums and singles collectively and established themselves as well respected writers and performers within the industry. They appeared on numerous TV shows, including Dick Clark's American Bandstand, The Merv Griffin Show and in 1979 they broke Elvis Presley's attendance record at The Sahara Tahoe in Lake Tahoe, Nevada, becoming the first rock band to play a Casino Showroom. They also became the first rock band to grace the stage of the Grand Ole Opry, but by 1986 after completing several national tours and releasing 7 albums in all, the band seemed to have lost its focus and just stopped. It seemed like Pablo needed some time to think. Cory Lerios and David Jenkins the bands' principal songwriters, along with Steve Price decided to take a hiatus. A hiatus that has lasted nearly 20 years...
Throughout the late eighties, original vocalist David Jenkins continued touring and garnered acclaim in the country markets with the slightly ahead of their time country-rock band Southern Pacific. As they racked up hits like "Midnight Highway," the chart topper "New Shade Of Blue" and "Honey I Dare You" (co-written by Jenkins) the band toured all over the U.S. In 1992 Dave connected with Hawaii's native son, Kapono Beamer, and in '95 the duo released the album "Cruisin' On Hawaiian Time," that became a critics' favorite as well as being nominated for Hawaii's prestigious Hoku Award for "Album Of The Year." Since '99 Jenkins has joined forces with the Classic Voices of Rock, a composite group that includes some of the great singers of the '70's and '80's.
Pianist and Vocalist Cory Lerios decided to turn his writing and producing abilities to Film and Television. In 1986 Lerios landed his first network series, scoring ABC's critically acclaimed "Max Headroom." ABC's "O'Hara" and "Police Story" immediately followed. Writing to "picture" became Cory's newfound passion and in 1989, Cory and partner John D'Andrea landed the theme and underscore for NBC's "Baywatch." Scoring 11 seasons of "Baywatch," garnering several Emmy Nominations, Cory won the coveted award in 1998 for his participation in the music direction of "Days Of Our Lives." Aside from composing music for Film and TV out of his Westlake Village, CA studio, Cory has intimated that he would love to perform live again, so the Pablo Cruise Reunion is a welcome addition to his busy schedule.
In June of 2004, original drummer and groove master of Pablo Cruise, Steve Price was married in Sacramento, CA. For his wedding gift to his wife Nancy, he wanted to throw a concert featuring the original Pablo Cruise, calling Cory and Dave and asking them if they would be up for it. The night of "The Concert," the band did more than just perform, it was reborn. Immediately following the show, Dave, Cory and Steve were so excited to play again; they decided right then and there they were going to make a concerted effort to raise "The Good Ship Pablo Cruise." So .. The search began for a singing bass player.
In 1999 Lerios met composer, producer, multi-instrumentalist George Gabriel. For the last 6 years Lerios and Gabriel have been writing underscore and songs together for all the major networks. Their first effort entitled "Call Me, Beep Me," performed by Christina Milian, was written specifically for what has become one of Disney Animations" most successful series to date, "Kim Possible." While working in NYC last summer, Cory mentioned to George that Pablo Cruise was planning to play live again. George immediately responded, saying he would love to be involved. Cory asked Dave and Steve if they would be interested in meeting George and perhaps running through some of the Pablo repertoire. The rest is history. Joining original members, Cory, Dave and Steve is George Gabriel on bass and vocals.
The fact that Pablo Cruise took 20 years to decide whether they wanted to work together again may be the best thing that ever happened to them. The guys are approaching this whole thing like it's the first time they've ever played together. The point being is that this reunion is generating a lot of excitement within the quartet, and the beauty of it is, is that its coming from the guy in the middle.. PABLO CRUISE.
I am engaging in what many people in my "hood" call "stoney vision". Yes, I am sitting in front of the television watching the baseball playoffs with the sound down and Bruce* (as in Springsteen) is on the stereo. I guess I get the terminology but without being "stoney", you can't have "stoney vision". It used to drive my mom nuts. She never understood how we did that.

This one is for the previous 30 years of beatdowns in Lincoln, this one was for Chase Daniels getting spat upon by a Nebraska player (which "pissed him off"), this one was for the time I lived in Lincoln and Mizzou was down 59-0 at halftime, this one was for all the alumni who have suffered at the hands of the Huskerplex curse. 52-17. Mizzou scored in the first minute. I watched this at a party on Saturday night and you could feel the excitement in the room. Who would have thunk this? As of today the University of Missouri football Tigers are ranked number two by the coaches and number three by the writers. This one's for you, Nebraska.

That dedication to your country ultimately lead to your downfall. Thank you for taking time away from your friends to put up with your little brother. Thank you for teaching me about girls, cars and music. Thank you for your children, you would be so proud of them. Thank you for your patience, understanding and your tough love. Thank you for telling me when I was getting off the track. Thank you for the tears when I told you I had finally made it to KSHE. You knew how imporatant it was for me. Thank you for reminding me of my commitment to make things right in the world. Thank you for everything, there is a hole in my heart that will never be filled. Your absence has been felt every day of my life. I lost my big brother on that fateful October day. I just wonder what you'd think of me now. Would you be proud? I hope so. I lived for your approval. I hope I have finally received it.
One of the additions we've added to our weekly programming schedule on the Eagle is an idea I stole from a friend of mine. "Off The Record" is a show we air every Sunday night at 6:00pm. It is the playing of a great, classic release off of vinyl. That's right, we actually play a "record". Ken Dillon did this at his station in Sedalia and I though it was a great, cool tribute. So, we have set aside some time to play a great old record, starting with the needle dropping on the side, playing side one in it's entirety, stopping for a break, then coming back and dropping the needle on side two. I think it sounds great and even through my shitty car radio, I can still tell the difference between digital and analog. It's the debut Boston release this Sunday night at 6. Thanks, Ken for the idea.
In St. Louis today, thought I would "gold brick" with an appointment and then take the day "off". Ha! I have a ten oclock appointment, one at 11:30, 12:45, 2:15, 3:20 and 4. The headquarters of Schuncks, Panera Bread, JBucks, Wehrenberg Theatres and others are here. These are my clients in B/N. Ah, maybe Saturday I can "gold brick" and be lazy. Not today, So, time to get the old three piece suit on and hit the "bricks". Wish me luck.

